Golddigger Chloe Coster, 15, pretended to fall in love with man, 35, she met online before stabbing him in the head when he didn’t buy her the gifts she wanted

Our thanks to Gerry and Steve for this. Gerry writes:
Ho hum! Another strong and independent woman defending herself from the patriarchy.

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Audio / video #312 from our archives: Mike Buchanan and Elizabeth Hobson wish J4MB supporters a Merry Xmas (2018)

We’re linking daily to selected audio / video files from our YouTube channel. Today’s file is here (video, 27:13).
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Pearl Davis: The Ground-Breaking Fight Against Domestic Abuse | Erin Pizzey

Enjoy (video, 51:55).
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Audio / video #311 from our archives: Mike Buchanan and Elizabeth Hobson interview Philip Davies MP (2018)

We’re linking daily to selected audio / video files from our YouTube channel. Today’s file is here (video, 21:41).
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World Premiere of New Documentary, ‘MEN TOO: Male Victims of Domestic Violence’: Thursday, November 30

Our thanks to the Washington DC-based Domestic Abuse and Violence International Alliance (DAVIA) for this press release. We’re an active member of DAVIA which is sponsoring the International Conference on Men’s Issues in Budapest, Hungary, in August 2024.
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The Jewish Chronicle: Rebecca Steinfeld, Oxford student and circumcision critic, has Board of Deputies links

Our thanks to Jakob (a Jewish intactivist and friend) for this. We take our hats off to Rebecca Steinfeld.
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Audio / video #310 from our archives: Foetal Alcohol Syndrome discussed on BBC Politics Live (2018)

We’re linking daily to selected audio / video files from our YouTube channel. Today’s file is here (video, 13:51).
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‘I want my daughter to be safe’: Starmer reveals personal mission to tackle violence against women and girls

Another ridiculous piece in The Independent. It starts with this:
Sir Keir Starmer has told of his own personal commitment to tackling violence against women in the hope that his young daughter and her friends feel safe.
Women and girls are hard-wired to feel anxious, regardless of the likelihood of harm coming to them (far lower than for men and boys). Starmer would do better to tell women and girls that they are far safer than men and boys when it comes to assault, but of course that narrative wouldn’t help sustain the taxpayer-funded feminist industries dedicated to making women and girls feel more anxious that reality would suggest they should be. We confidently predict that if Labour wins the next general election, which appears highly likely, they will introduce juryless rape trials, despite not mentioning the issue in their manifesto. Harold Wilson’s Labour government did exactly that with regard to the Abortion Act 1967.
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BRIT Awards to ‘have major change’ for 2024 ceremony after ‘woke’ gender-neutral categories backlash

Our thanks to Nigel for this. He writes;
More entertainment from the Gender Studies brigade, this time in the more frothy ephemeral world of “pop”, where it appears being more equal gender wise resulted in an all-male shortlist. Despite, supposedly, being about not discriminating and choosing the best. It seems gender is actually super important and every list must include artistes with vaginas, to ensure that some privileged white guy doesn’t win again. Of course if the five on the list had all had vaginas then no one would have been a bit bothered. I do hope many other artists with penises join Sam Smith and declare themselves “non-binary” and see how the luvvies sort that one out!

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MEN TOO – Domestic Volence Against Men

Our thanks to Sean Bw Parker for this:
Odette Van Rensburg is a South African documentary filmmaker, whose last two pieces have been Disconnected (about suicide) and The Bonfire of Agreed Terms (false allegations) released by Dogs On The Run films. In MEN TOO – Domestic Violence Against Men, Rensburg turns her laser focus to this most egregiously under-reported of subjects. Odette often prefers her work to speak for itself, and in the words of its own subjects. MEN TOO opens with Erin Pizzey, founder of the Women’s Refuge movement in the UK. Pizzey was discredited and disowned by the wider political-feminism movement when she dared suggest that as many men were coming for her help as women. Pizzey speaks in a non-partisan and direct way throughout, pointing out uncomfortable realities relating to how sexual politics has unfolded over time. She is echoed by Phil Mitchell, an academic researcher and public communicator on the theme of violence against men; and from across the pond by John Davis, the man behind the Gender Studies for Men group. There is a golden thread of pain through MEN TOO, and that is the blithe deafness of the mainstream media to the plight of abused men. The stats are 50/50, weighted to women often being the main instigators when psychological abuse and coercive control are taken into account. But this statistical reality is inconvenient for heavily-funded VAWG (Violence Against Women and Girls) charity programmes around the world, be they Women’s Aid, Rape Crisis or UN Women. ‘Positive Conclusions’ gives his heartbreaking testimony in disguise; Australian wokeist’s nightmare Bettina Arndt clearly hasn’t read the Sisterhood memo, and is having none of it. The golden thread running through Rensburg’s own work is ‘stigma’, whether that be of suicide (often in the family) or living through the injustice of false allegations. These false allegations are the low-hanging fruit of VAWG, and believe the victims policies across the world (notably chronic in India, Spain, Argentina and Australia of late) have weaponised them to the hilt. Though VAWG policies are now firmly embedded in the mainstream, their shills on television and social media are acting as if they’re still in the first wave of feminism, flinging themselves in front of racehorses no matter how many Equality Acts are passed. The reality is that reality itself is seen as obstreperous to the cause, as unnecessary as the men themselves in this deliberately concocted mirror-world. Released on International Stop Violence Against Men Day, MEN TOO is a tight, snappily edited and compelling piece of visual education – and seeing Erin Pizzey keeping it brutally real after all these years is genuinely empowering. Sean Bw Parker is a an artist and writer on cultural theory and justice reform.

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