An insightful piece in UnHerd. Harrington ends with this:

Hemingway began his life in the shadow of Tennyson’s Light Brigade, and finished it in the shadow of Hiroshima. Over the same period, the raw, elemental struggles between man and man, or man and nature, so characteristic of Hemingway’s work, grew more attenuated. His literary career was both as a “masculine” writer, but also as an elegy for a world where the conventionally masculine virtues of courage, risk-taking, stoicism and heroism were easily celebrated and widely accepted as culturally essential.

Since his time, the world has retreated steadily from conflict, toward mechanised and then mediated life; a process culminating in the radical safetyism and dematerialised common life of Covid lockdowns, and the online-first social life the pandemic ushered in. And now that we have virtualised social life to the point where any physical violence is foreclosed, even most arguments about masculinity now inevitably take place in the feminine key.

Young men, already restive, are growing mutinous under this regime. The lurid and angry literature emerging captures these men’s ambivalence: sickened by, but also usually still implicated in, the banality and perceived effeminacy of a modern world denuded of both danger and opportunity. We can only speculate on what may happen if (or when) such men leave behind the neutered disaffection of the internet, and start searching en masse for danger and heroism beyond the screen.

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